In this episode of the Script Reader Pro Podcast, we’re joined by television writer and head writer Brandon Violette to talk about breaking into animation, working in writers rooms, and building a long-term career in kids’ TV.
Brandon has worked on major animated series for Disney, Netflix, and Hasbro, and he shares how he went from temp assistant to head writer, and what writers need to know if they want to follow a similar path.
We cover:
- How Brandon broke into the industry (and why following up matters)
- The difference between a staff writer, head writer, and showrunner
- What animation writers rooms are really like
- Why strong writing samples matter more than writing 10 episodes
- The shift toward freelance rooms in television
- Why giving yourself permission to “write badly” is crucial
- Why character is still everything, no matter the format
We also answer listener questions on camera angles in spec scripts, why period pieces are expensive, and how Writers Guild membership actually works.
If you’re interested in television writing, especially animation, this episode offers practical, real-world insight from someone working inside the system.
