You've polished your screenplay until every scene sings. Now what?
Enter screenwriting competitions. They promise industry access, cash prizes, and representation meetings. Some deliver. Most don't.
What nobody tells you: not all competitions are created equal. Drop $90 on the wrong contest, and you've just paid for absolutely nothing. Pick the right one? You could be sitting across from CAA next year.
This guide cuts through the noise. We've ranked the top screenwriting competitions for 2026 based on actual results—not marketing hype. Industry connections that matter. Prizes worth chasing. Barriers to entry you need to know about.
Let's get into it.
Entering competitions? Timing is everything. Download our FREE Screenwriting Calendar with submission deadlines, early-bird dates, fee schedules, and better bang for your buck breakdowns for 20+ major contests.
Let's start with reality.
Competitions don't guarantee you'll sell your script. They don't hand you a three-picture deal. They won't make you the next Diablo Cody overnight.
What they can do:
Validate your work. Placing as a finalist means industry pros read your script and thought it was good. That credential opens doors when you're querying agents and managers.
Connect you with reps. The best competitions introduce winners directly to managers, agents, and producers actively seeking clients.
Give you leverage. "Nicholl Quarterfinalist" on a query letter gets reads. "Won Austin Film Festival" starts conversations.
Provide feedback. Some contests include coverage. Most don't. We'll tell you which ones do.
What they don't do: Read your script carefully if you don't advance. Fix structural problems. Teach you craft. Replace the need for an actually great screenplay.
Quick reality check: if your script isn't ready, no competition will save it. But, if it is ready? The right contest can shortcut years of grinding.
We need to talk about this.
The Academy Nicholl Fellowship—the most prestigious screenwriting competition in the world—just blew up its entire entry model. And screenwriters everywhere are furious.
What changed:
Starting in 2025, Nicholl no longer accepts open public submissions through their own site. Now you can only enter in two ways:
The cost: Entering via The Black List runs you around $130. You need to host your script on their platform and purchase at least one evaluation before you can even submit.
The old model: The Early deadline was $50. Regular was $70. Late was $120. Straight to Nicholl. No middleman.
Why everyone's pissed:
The screenwriting community sees this as a cash grab by The Black List—a for-profit company that makes ~$325,000 from a nonprofit fellowship.
“I don’t like the idea that universities are involved at all. At all. Nor do I like the idea that The Black List, which is not a not-for-profit business, is involved at all. That’s a profit business. I don’t think these things– I don’t understand. This just feels like they gave it away, I got to be honest with you,” – Craig Mazin, Oscar-winning writer of Chernobyl
Reddit forums exploded. Twitter lit up.
The 2,500 submission cap means Nicholl went from accepting 7,000+ entries to barely a third of that. Your odds technically improved. But the barrier to entry tripled.
Our take: Nicholl still carries the most weight. If you win, your career changes overnight. But the new system feels wrong. If you're on a budget, there are better value plays lower on this list.
Now let's rank the rest.
We ranked these based on five factors: prize money, industry access, past winner success, barriers to entry, and cheaper ways to get noticed for your career.
These are the big boys. Win one of these and your career shifts.
Why it's #1: Most prestigious. $35,000 prize. Academy backing. Guaranteed industry attention. If you win, managers call you.
But: Barrier to entry is fucked (see above). $130 via The Black List. Capped at 2,500 submissions.
Deadline: May 15 - June 15, 2025 (via The Black List) OR varies by university partner
Prize:
Best for: Drama writers with cash to spare and scripts ready to compete at the absolute highest level.
Website: Academy Nicholl Fellowship
Why it's top-tier: Huge $25K grand prize. Fair judging across 10 genre categories (no drama bias). InkTip/Stage 32 partnerships mean your script gets promoted.
Deadline: Early Bird Jan 15 ($49) / Regular Feb 15 ($59) / Late March 15 ($69) / Final May 15 (TBD)
Prizes:
10 Categories: Action, Comedy, Drama, Family, Historical, Sci-Fi, Thriller/Horror, Short Film, TV Drama, TV Comedy
Winners announced: October 15, 2026
Best for: Genre writers who want fair competition. Your horror script won't lose to a Sundance drama here.
Website: Page International Screenwriting Awards
Why it matters: 32-year reputation. 22 categories. You actually attend the festival—face time with execs, not just an email blast.
Deadline: Early $60 (March 27) / Regular $70 (April 24) / Late $90 (May 27)
Prizes:
Festival dates: October 29 - November 5, 2026
Best for: Writers who value networking. AFF is called "The Writers Festival" for a reason—150+ panels, 200+ industry pros, genuine connections.
Website: Austin Film Festival
Why it's different: Only competition offering 1-on-1 development for Quarterfinalists. $8M+ in spec sales from past winners. They actually mentor you long-term.
Deadline: Contest runs Aug 15, 2025 - May 31, 2026
Prizes:
Unique: You can update your draft for FREE until the May 31st deadline. Unheard of.
Best for: Writers ready for actual representation. Pipeline doesn't mess around—they've sold scripts to Fox, Universal, and Legendary.
Website: Script Pipeline
Straight up: Competitions aren't lottery tickets. Winners share three traits: (1) scripts were professionally covered before submission, (2) they targeted competitions that fit their genre, and (3) they nailed the major structural beats. Act 1 breaks around page 25-30, midpoints that shift momentum, third acts that deliver.
"I cannot overstate the impact that Script Pipeline has had on my writing career. Winning the contest directly led to new representation, which in turn led to working with studios." — Tripper Clancy
These won't get you into the Academy's orbit, but they will get you repped.
Why it's smart: Genre-specific contests (Horror, Sci-Fi, Comedy, Drama, etc.). Past winners signed with CAA, WME, and UTA. Judges who actually get your genre.
Deadline: Varies by contest—check site for each category
Prizes: $2,500-$5,000 per category + exec meetings
Best for: Genre writers tired of drama bias. Got a killer horror script? Enter their Horror Competition, not Nicholl.
Website: ScreenCraft
Why it's worth it: Backed by industry-standard software. Judges include reps/producers. Multiple genre categories. $30,000+ total prizes.
Deadline: TBD (typically opens spring, closes fall)
Best for: Writers across all genres looking for broad industry exposure.
Website:Big Break Screenwriting Contest
Why it's unique: Constantly running competitions for EVERY genre, format, writer demographic. Seriously—horror, sci-fi, comedy, shorts, diverse voices, you name it. Too many to list individually.
Deadline: Rolling year-round—check their site
Prizes: Varies ($1K-$10K+ plus exec meetings depending on contest)
Best for: Community-focused writers. Stage 32 isn't just contests—it's networking with producers, directors, and fellow writers. Great way to meet filmmakers of all levels.
Website: Stage 32
These give you platform + exposure, not just prize money.
Why it's cool: Indie cred. Sundance alternative vibe. Champions underdog voices.
Deadline: TBD (check site—typically runs 2025-26 cycle)
Prize: Cash + festival attendance (amounts TBD)
Best for: Indie writers with bold, unconventional voices.
Website: Slamdance Film Festival
Why it's legendary: Francis Ford Coppola's company. Top 10 finalists get SERIOUS circulation to production companies and agencies. Coppola himself helps select the winner.
Deadline: TBD for 2026
Prize: Cash + Zoetrope circulates your script to the industry pros.
Best for: Writers who want old-school Hollywood legend backing them up.
Website: American Zoetrope
Why structure nerds love it: Structure-focused judging. Save the Cat! brand = 50K+ newsletter subscribers see winners.
Deadline: TBD (check site)
Prize: Varies by year
Best for: Writers who use Save the Cat! methodology and want that audience.
Website: Save The Cat
Good bang for your buck. Strategic additions to your competition list.
Why it's solid: 30+ judges (actual producers/reps). Top scripts sent to 95+ production companies. Low entry fees.
Deadline: TBD (typically spring)
Prize: $10,000 + wide industry circulation
Best for: Budget-conscious writers who want maximum script circulation.
Website: Scriptapalooza
Why international writers dig it: Based internationally. $10K cash. 60+ production companies read winners (Scott Free, Amblin). Oscar/Emmy-nominee mentors.
Deadline: TBD for 2026 season
Prize: $10,000 + mentorship + industry reads
Best for: Writers outside the US or with high-concept material.
Website: The Golden Script Competition
Why it works: 440+ writers signed with reps in 8 years. Personalized exec outreach (not mass emails). Grand prize: a free year in the Top Tier program.
Deadline: 2025/2026 cycle active
Prize: Year-long Top Tier membership (huge value)
Best for: Writers needing hands-on career guidance + targeted exec introductions.
Website: Roadmap Writers
Why consider it: UK-based, accepts international entries. Affordable. Both feature + TV categories.
Deadline: TBD for 2026
Prize: $2,000+ plus UK/EU industry intros
Best for: TV writers or international writers seeking UK/EU connections.
Website: Shore Scripts
Why it's new but promising: Growing fast. Production + premiere opportunities (not just cash). 2026 deadlines already posted.
Deadline: Check the site for early/regular/late dates
Prize: Production opportunities for winners
Best for: Writers wanting production paths, not just validation.
Why it's different: Workshop + mentorship for finalists. Regional festival with national reach.
Deadline: TBD for 2026
Prize: Workshop access + mentorship + festival platform
Best for: Writers who value development/mentorship over big cash.
Website: Atlanta Film Festival
Write/LA: Travel + accommodation + LA intros. Great for writers outside LA.
Emerging Screenwriters Comedy: $25K total prizes. ISA Development Slate consideration.
Wiki Screenplay Contest: Monthly rolling deadlines. Feedback included.
Page Turner Screenplay Award: Judged by producers actively seeking projects.
Filmmatic: Genre-specific (horror, thriller, comedy). Ongoing development support.
Don't blast your script to 20 contests. That's $1,500+ down the drain if it's not ready.
Here's how to choose:
Horror script? Don't waste money on Nicholl (drama bias). Hit ScreenCraft Horror, Slamdance, and Filmmatic instead.
Rom-com? PAGE Comedy category. ScreenCraft Comedy. Austin.
Serious indie drama? Nicholl, Sundance, PAGE Drama.
Broke but talented? ISA Great Pitch (free), Scriptapalooza (cheap), and regional state arts councils.
Medium budget ($200-500)? Pick 3-5 strategically: PAGE + Austin + one genre-specific ScreenCraft.
Money to invest ($500+)? Nicholl + PAGE + Austin + Script Pipeline + 2 genre-specific.
Google "[Competition Name] past winners." See where they are now. Did they get repped? Sell scripts? Or disappear?
Better yet, download and study actual winning scripts from competitions like Nicholl, Austin, and PAGE, and see what separates a quarterfinalist from a winner at the craft level.
If winners aren't working, the contest is trash.
Some contests include coverage. Most don't. If you're new, competitions with feedback (BlueCat, Script Pipeline, optional notes) teach you more than a laurel wreath.
Early bird deadlines save cash. But don't rush an unready script to save $20. Better to pay a late-deadline fee with a polished script than an early-deadline fee with garbage.
Most competitions run March-May deadlines. That means your script should be DONE by February.
Pro Tip: If you're entering screenwriting competitions, also consider screenwriting fellowships. Competitions validate. Fellowships fund. Use both strategically.
"For over three decades, our competitions have served to highlight emerging creatives and recognize original storytelling. At a time when the industry is in flux, we're proud to be partnering with so many industry leaders to identify the next generation of screenwriters and create real opportunities." — Barbara Morgan
We analyzed 100+ competition winners. Here's what they had in common:
They got coverage first. Want to know if your script's actually ready before burning through contest fees? Getting professional coverage is like a dress rehearsal—you'll catch the problems judges would ding you for, minus the $75 entry cost per rejection.
Judges see thousands of scripts. Yours needs to be flawless by page 3. Sounds basic, but sloppy formatting gets scripts bounced in early rounds. Competitions use readers who eliminate anything that looks amateur, so your margins and sluglines better be clean.
They entered strategically. The average winner entered 3-5 competitions per year. Not 20. They picked contests that fit their genre and budget.
They kept writing. Winners didn't put all eggs in one basket. They wrote the next script while waiting for results. When rejections came (and they always come), they had new material ready.
They studied past winners. Before entering, they researched which scripts actually won. They read winning scripts when available. Most semifinalists have tight plots but flat characters. If you want to crack the top 10%, your protagonist needs depth and dimension that jump off the page in Act 1. This is what judges value.
They networked during festivals. Austin, Slamdance, Atlanta—these aren't just contests. They're networking opportunities. Winners showed up, attended panels, and met people.
Not all contests are legit. Watch for these warning signs:
No past winner info. If they won't tell you who won last year, run.
Huge entry fees, tiny prizes. $150 entry for a $500 prize? They're just collecting fees.
"Guaranteed reads by Hollywood execs." Bullshit. Define "exec." Intern at a production company? That's not what you think it is.
No judge information. Legit contests list their judges. If it's a mystery panel, pass.
Too-good-to-be-true promises. "Winner gets a million-dollar production deal!" Yeah, no.
Stick with competitions listed here or on reputable contest databases that track results.
Here's the typical competition calendar:
January-March: Early bird deadlines open. PAGE, Austin, most major contests.
April-June: Regular/late deadlines. Nicholl closes mid-June.
July-September: Quarterfinalist/Semifinalist announcements roll out.
October-November: Winners announced. Festival attendance for AFF, others.
December-February: Next year's contests open.
Your action timeline:
6 months before deadline: Identify 3-5 target competitions. Review rules.
4 months before: Finish polished draft. Get professional coverage. Make revisions.
2 months before: Finalize script.
Before you drop money on entry fees, make sure your concept can be summed up in one killer sentence. Most competitions toss scripts in the first round if the logline doesn't pop.
1 month before: Submit early if possible. Build a buffer for tech issues.
After submission: Keep writing. Don't wait around obsessing over results.
Depends.
If your script isn't ready, no. You're wasting money.
If your script IS ready but you have zero industry connections, YES. Competitions are one of the few legitimate ways in.
If you already have reps and buyers reading your work, maybe not. Your time might be better spent writing.
Here's the truth: Competitions won't write your script for you. They won't fix structural problems. They won't replace hustle.
But if you've got a killer script and you're strategic about where you enter, competitions can shortcut years of query letter hell.
Pick 3-5 that fit your genre and budget. Get your script professionally covered first. Submit by early deadlines. Then write the next one.
Your 2026 competition strategy:
Every working screenwriter faced rejection. Every single one. The difference between those who made it and those who didn't? They kept submitting anyway.
Now go win something.
Most competition rejections happen in Round 1—not because the writer lacked talent, but because the script had fixable problems judges spotted on page 5.
Before you spend $50-$90 per competition entry, make sure your script can actually win.
Our script coverage services give you the same level of feedback that competition judges use to evaluate scripts. We'll tell you exactly what needs fixing before you hit submit.
The difference? You fix the problems before elimination—not after rejection.
Get Coverage Before You Compete
How to Become a Screenwriter: A Pro's Guide to Unlocking Your Career
Screenplay Submissions 101: How to Submit a Screenplay Like a Pro
How to Sell a Screenplay: 6 Most Popular Ways New Writers Make a Sale
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Thank you for providing valuable insights and resources on screenwriting contests. Aspiring screenwriters are always seeking opportunities to showcase their talents and gain recognition within the industry, and your article offers valuable guidance in navigating the world of screenwriting competitions.
Screenwriting contests serve as a platform for emerging writers to have their scripts evaluated, receive feedback, and potentially open doors to new opportunities. Your article provides a comprehensive list of reputable contests, highlighting their features, submission requirements, and benefits.
By sharing this information, you empower aspiring screenwriters to make informed decisions about which contests align with their goals and offer the most suitable opportunities for their work. Your article serves as a valuable resource, saving writers time and effort in researching and identifying appropriate contests to enter.
I appreciate Script Reader Pro for emphasizing the importance of thorough preparation, thoughtful submission strategies, and leveraging the feedback received from contests. These insights contribute to the growth and development of aspiring screenwriters, helping them refine their craft and improve their chances of success.
I encourage aspiring screenwriters to explore the screenwriting contests you've highlighted and consider entering those that align with their goals and aspirations. These contests not only provide opportunities for recognition but also allow writers to connect with industry professionals and gain valuable exposure.
If any readers have participated in screenwriting contests or have insights to share about their experiences with these competitions, I would love to hear from them. Let's continue to support and celebrate the incredible talents of screenwriters and the opportunities provided by these contests.
Really enjoy your website and regular emails! I just received coverage from the BlueCat Screenplay contest. Very disappointing. The "What did you like about this script" feedback was complete boilerplate. The only reference to my screenplay was the year it took place, and the reader got it wrong. I was hoping for some solid constructive feedback, but it felt like the reader skimmed the first act and found the necessary 'the hook' for me resubmit and spend more money. BlueCat just feels like a scam. Not sure you should recommend.
Hey Steve, we recommend Blue Cat as a contest but not their script coverage services. Most coverage you get from contests are like this as what you're really paying for is to enter the contest. If you're still looking for some proper feedback on your script we have a range of script coverage services that can help.
Am sarasaratoi I have same script more than more but In Kenya I don't have enough people to play how can sell my script on amazon
Thank you for the information you have posted I’m just starting out in my path to becoming a screenwriter. I need to build up a portfolio when applying for UCLA or the Los Angeles film school I hope I get accepted into the screenwriters program. And entering a few contests will give me some much needed feedback that will help me perfect my skills further.
Sounds like a plan - best of luck with your writing, Lacey!
TITLE: WHO OWN?
logline:We are living in the country side that there are power holders,money holders and cash followers who they are taking natural resources ,controlling freedom,no fair ,putting justice in their mouths and then they are thinking that they own its but they are own of that or not?WHO KNOW!
synopsis:There is a man who called Drone living in remote area.He is fighting and keeping for justice, freedoom, fair ,none corupption and covering natural resources in his region because there are power control , money holders and cash followers who are destroying not only his region but also all around the world. and then they are thinking that they are own of everything. Drone want to escape from their hand but it is not easy for him because he is not only poor but also fight alone for his region. There are other peoples who also know the true and right but they are afraid of power controller,money holders and cash followers because their can giving to them dangerous and not easy live if they were again to them but Drone want to get back their resources from them. Realitly, drone and his peoples are living in that region for long time but they are still losing their resources from their region.They are thinking that they are own of our resources but we are knowing that they are not own of our resources. There is a question that WHO OWN of these resources!
(Note:Sadly ,after leaving from KENG KHAM REGION, YAT SAUK CITY ,SOUTHERN SHAN STATE, MYANMAR.I am poor by money and i can not effort for money in this moment.So that i can not try for paying when you offer for something but i am thank you for your reply.I am in trouble situation and then losing every things i own but I am trying my best for everything and they are blinding of this big bad cases. "One day, it will be coming for...........................!)
Best regared!
Master Mike or Drone Catacher(Myanmar).
I've heard a lot about format. Now, exactly what is the Hollywood acceptable format. I've got several produced screenplays/scripts that I've worked on as an actor and each one is different. Mine are written as a shooting script with all cuts and camera angles in place as a director might. No doubts. I believe this saves time which saves money. Probably the only I'll get them made is to raise the money myself. Oh well. I've got letters out to Screenplay Mangers. We'll see.
Hi Wes - we have a blog category on formatting that you can check out here. If you're writing a script for the spec market then you'll want to format is as a spec not a shooting script, but it's explained in the posts.
Because of Nicholl's pro-drama bias, I have no interest in that competition despite its obvious and substantial prestige. Comedy is the only genre I write.
Is the Raindance Script competition any good
And what about TSL Free Screenplay Contest?
Is this a good one?
We're not familiar with it but let us know what you think of it if you decide to enter 🙂
Hey, Just a word of warning about ISA-run screenplay competitions. They publshed my early draft screenplay on the Internet via a public link. It is an early draft, and also includes ersonal information (address, phone number etc.)
I tried emailing them but they didn't seem to get the concern - saying a unique URL makes it secure. It doesn't.
I find alot of these comments to be discouraging. I have been writing scripts/screenplays as a hobby for decades but have never submitted any of them to contests such as these. I assumed they were all just out to collect the entry fees, leaving us writers with no hope of actually getting noticed. I have to admit that after reading some of these comments, I feel even more skeptical. I tried on several occasions to submit one of my scripts to NBC Universal directly, but they don't accept unsolicited material. Most, if not all, production companies will not accept unsolicited scripts. Unsolicited basically means that if you don't have a literary agent or know someone in the business, they aren't going to accept anything from you.
Don't be discouraged by reading other people's comments, Jay. If these contests were just out for aspiring writers' money we wouldn't have promoted them on the site 🙂
You really missed two of the most highly-regarded screenplay competitions.
Very different, but unique in the kind of analysis and industry access they each provide:
The Los Angeles International Screenplay Awards
The Wiki Screenplay Contest
Just sayin'...
Thank you Bob for pointing that out.
The great advice - Thanks!
I have never contacted American judges.
Are they pompous like British publishers?
Don’t waste your time on contests. I’ve placed in the Top Ten of various contests many times, but it doesn’t really help your career. It’s good for your ego and it’s reassuring, that’s about all that comes if it. It’s actually smarter to make short films to give producers something to see. Just my opinion.
Screenwriting Competition Rules For Writers:
1. Only accept and incorporate suggestions YOU agree with and
personally inspire your inner- most positive creativity.
2. Never attempt to get an "A" from any judge. They may not be qualified to judge material simply because they are assigned to judge material. They could send you into an inescapable convolution by having you chase rules they hallucinate as absolute. They may not verifiably qualify as insightful nor true writing career "gatekeepers."
3. Only incorporate suggestions or believe judges who not only have produced and actualized INSPIRED material ON A SCREEN, but whose work YOU personally admire. Otherwise, what's the point? I've seen many screenplay judges and "professors" who haven't ever made a film or who couldn't make film worth sitting through. Also research if the judges ever awarded screenplays that have actually been materialized into decent movies. Who? How many? What quality?
4. Only implement suggestions by those who sincerely love and truly "get" your idea. Many don't. They miss it. Many believe they're "experts." They're not. You need to be INSPIRED and propelled forward. Creativity should be fun. It's not the principal's office.
5. Only consider major changes that are specific and have been suggested by more that two different and objective sources who LIKE your your work and are objectively qualified.
Professional readers will always take the safer path of rejection.
Trust me... I have been a professional film editor for years. I have made and directed movies and won several festival Awards.
One of my screenplays has been awarded 5 Wins, 3 Finalist, 2 semifinalist, and 3 official selection status. Many, many rejections.
Which judges are "correct?"
It's all opinion and most of the time personal preference. Remember: If you took Tarantino's name off most of his screenplays and submitted them to festival judges, 98% of them would throw his projects in the trash.
6. You need to find that special person... Otherwise... you're just might be on a real shitty date.
What are the logistics and criteria of judging a script before I blunder?
I am a retired performer with several hundred TV credits and a few dozen feature films. I obtained a "difficult" label as I was always rewriting my lousy dialogue in some of the more mediocre projects... And believe me, there are MANY crappy projects that are green-lit. I began screenwriting almost 30 years ago. My first one was cast, bonded, storyboarded, scouted and ready to go in 1994. Then the production company suddenly folded. I had spent two years of my life on the project. I became disgusted and just let all of my screenplays sit, until the pandemic came along, then dug them up and rewrote them. Submitting today only takes a few mouse clicks, whereas years ago it was a HUGE pain to print, bind, mail, etc. Since May of 2021, three of my works have won more than 25 awards, including wins, finalists, etc. However, I learned as a performer that screenwriting is like doing a painting until someone takes away your brushes... it never ends until the scene is shot. I can't count the times rewrites were slid under my dressing room door moments before the scene was to be shot! That being said, I have resisted entering competitions that take six months to get results, because by then, I have rewritten/improved the work several times over. I think the only real benefit of many competitions is the little laurels that I now have displayed prominently on my title page, as at present, there are no studios or agents knocking down my door. But now, at least the "reader" knows they better pay attention. Many of them are truly incompetent and some give lower scores just to get you to pay for more scrutiny. ANY screenplay can be improved, regardless of the author. My current direction is to win a few more competitions and then submit to the 'biggies' with lots of accolades so maybe, just maybe, they will take a closer look at the material. Remember, readers read and writers create. Good luck writers!
Love all these comments. I've learned a lot. I've done AFF at least four times. It now gets over 14,000 scripts per year. I heard that the readers DO NOT get paid! I think this is wrong. I attended AFF in 2016. A few workshops were good, but overall it wasn't worth the money. I did my best to network, but there never was any guide on where to meet people. I have used AFF for coverage, and I found it was very good until recently. The last script I sent them, the coverage I got read like a film thesis. It was obvious the reader didn't like or respond to the script. It was a rewrite of an earlier script I'd sent in which got a recommend. This was the second script I ever wrote too. Readers and judges see your work in different ways. How many of them ever wrote a script, won an award, have an agent etc? I would not waste money entering contests anymore. Spend your money on coverage, it can give you more long term value if you're lucky. Read these books: Your Screenplay Sucks by William Akers, The Starter Screenplay by Adam Levenberg. He does coverage,not cheap, cost me 275.00 five years ago. He will talk with you on the phone, but he is all business, curt, and brief. He will not engage in chit chat. His remarks can be brutal. Don't see him unless you're really ready to be mauled. He is also a top reader in the business, so he knows what the industry wants. Most readers don't. Good luck.
Heads up Launch Pad doesn’t introduce the top ten to anyone as stated. It’s only the top three who get intros. Was top ten last year. They do send you an email with the names of people who read your script a few months after the contest if you ask a few times but that is the only follow up I personally experienced.
Hello, great blog. Thanks for sharing this invaluable info. What do you think about Script pipeline?
Thanks for the feedback, Phoebe!
You guys are amazing! Your site is, by leaps and bounds, the best resource for screenwriters who need insight into the inner workings of the industry. I have been living in Los Angeles for nineteen years, toiling in myriad facets of the business from extras casting to being a production assistant on several Disney TV shows to video editing for a tech company, not to mention years spent with friends writing, directing and acting in our own projects and yet I felt entirely lost in what to do with my writing, as if I didn't know a thing about the industry I have essentially been working for for the past two decades. Your site has provided an incredible resource for all things a screenwriter could possibly need to know between your listing of 50 great screenplays to the best contests to enter to manager contact info...I am so thoroughly impressed. Thank you, thank you, thank you! I'm just getting back to writing and this site is just what I needed to life my spirits and my confidence. I've already ordered three of the books you recommend for screenwriters to read and I can't wait to incorporate the wonderful information and advice you've provided for FREE!!! Craziness!
Thanks so much for the feedback, Andrew - really appreciate it. Keep your spirits up 🙂
Can some one throw some light on the Lose Angeles international screenplay awards. Any push?
I will definitely contact these screenwriting contests asap.i think i have quality African feature script in genres such as adventure, drama, political thrillers, love stories etc. Frederick B Philander. Namibia
Sounds good, best of luck, Frederick!
HI,
Thanks for maintaining this link/list. However, as someone seeking to self-produce an original screenplay outside of LA, what I really want to do is rank competitions by their CASH prizes. Though the mentorships and contacts are great, some on the "best screenplay comps list" have small money awards for large entry fees, so I'm wondering if you have created a ranked list to screenplay competitions w/money prizes. Google yields nothing. Thanks in advance.
I've entered my current script into a few contest, I did not place in two of them but made it to the quarterfinal in one of them. I keep reading this "you only get one shot thing" and it leaves me confused. If I have entered my script into a contest too soon, before it's ready, and it did not place, does this mean I shouldn't re-write it and submit it again to another contest or maybe even the same one the next year, or have I already blown the opportunity for this script?
The "only get one shot" line is mainly referring to sending your script to industry people - managers, execs, producers, etc. - not contests. Good luck with it, Rachael!
Great list of contests. I was just wondering if you perhaps know of what has happened to Greenlight Screenplay? They were legit as far as I could tell, having won an award from them last year. But this time, I went to put in another entry and their website is up for sale. On Twitter, they are not responding to tweets. They last tweeted last year. It would be nice to know what happened to them. If someone reading this knows please leave a message. Thanks 🙂
Thanks! Sorry, no idea what happened to Greenlight.
Hi there! Do you know of any screenwriting contests that take magical realism?
Sorry, no, but pretty it usually comes under Drama.
Can you give me a suggestion where is better to apply for Horror scripts?
Hi I'm Peyman and I'm 23 and I'm contacting you from Iran. I'm a script writer and I've written one script already which has 140 pages , it's very interesting and it was written with perfect details and methods. Unfortunately I don't have a recommender. I request you to support me so we can have progress in this project, If you're interested in cooperation I gladly can send you a short version of my script I promise you that you will be very satisfied for this cooperation.
We're a script consultancy not a production company so we can help you get the script into shape before you try to find a buyer or funding.
Hi,
how do one enter a screen writing competition.
The instructions are on each contest's website.
Do contests take in premiere status (like festivals?) Or can we just apply to all of them at the same time?
Yes, there's nothing wrong with applying to a bunch at the same time.
I've got a plan to enter six screenwriting contests this year.
Good luck, Andrew!
Good list, thanks SRP!
Thanks, Michael!
Great info. A friend recommended Script Reader Pro to me and I'm so glad they did.
Glad you found us, Zoe!
I stopped entering screenwriting contests a while ago even though I was a semi and quarter finalist at two well respected contests and instead have invested in shooting short films that are now award winning and gaining traction as time goes by. Entering screenwriting contests is like playing the lotto in most cases. Years will go by and no one will have never heard of you or your work. In that respect, it's about "them" meaning Hollywood and not about those of us who actually do the work. At least today there's ways you can have your work seen regardless of what Hollywood or anyone thinks is prize worthy.
How many contests should I enter?
Hi, I'm a BRIT, and the Blue Cat international competition seems a good bet, thanks for the advice.
But in truth can you tell me if my protagonist needs to be an American, in a foreign land, to increase the chances of a recommend?
No, not at all. What they'll be judging the script on is the story and characters overall.
Nice list, thanks for posting.
Thanks, Bob.
Is there a problem submitting the same project to a few contests at the same time?
No, there's no problem with that. Good luck!
Which screenwriting contests can guarantee me a career if I win?
No contest can guarantee that, unfortunately, Max.
I have been entering several of my scripts to the top 3-4 contests listed here for years. What I found out was: A. It's a waste of money B. The majority of the time the readers used by these contests are a bunch of nobodies. A little background on this: I've been in the business in different capacities for years. I have had three of my scripts optioned for 10k each by notable producers and production companies. I have entered those three scripts into Nicholl, Austin and Slamdance and not one of them even made it to the quarter finals or second round. Then, last year I was contacted by several of these screenwriting contests to be a judge. And what happens is this: they send you 30-40 scripts to read. You don't have to read any of them and I suspect most judges don't. You let the contest know which script(s) you feel should advance. You don't have to write any coverage or make any notes. I'm certain most scripts don't get read, hence, the reason while most people never hear any positive news from these contests. Don't waste your money.
Competitions may be a long shot but it's one worth taking imho.
Is there any translated to english script contests?
In essence, I think, plan a strategy and a working bit part that nobody has been equipped to think of yet. Basically take the "beat" premise that is very unclear and overused to find another example of notifying and understanding to enhance the reader. I have got one of these taken really from a shooting draft script and worked it into competition "Not telling you because it's my idea." ...Sorry. Also for quality situations just evaluate the final piece for a week or so and do not rush. Prepare for that when you win one. Good luck -- break a leg and stuff.
Hai I m syed from bangalore I have script horror stories 200 yers old my village true story nice script
I just submitted my screenplay to the Page Screenplay Contest. Fingers crossed!!!
Exactly what I wanted to know, thank you! I have a script that the Nicholl Fellowship judges said would likely attract The Hangover type of audiences. I can imagine this script would also do well in the Austin screenwriting competition - I'll give it a go this year.
Thanks for sharing this amazing list. It's great to hear which screenwriting contests can actually do something for my career and which ones are just a waste of my time. Keep up the good work.
Screenplays contests are waste of time and money if you actually want to get your script made into a movie, on the other hand... if you want to win a contest- go for it Skippy!
Nicholl, Austin & Sundance are the best screenwriting contests. Avoid Bluecat, Screencraft and Zoetrope. Not familiar with the rest.
There are some good screenplay competitions – if your work is good enough, although many push the paid-for rewrite notes aspect a bit hard. However, I’d recommend avoiding The Shore Scripts Competition. Really insulting. They failed to send me the updates/notifications they promised. When I queried this and asked them to send the emails which had never arrived, they started contradicting me. I then asked them to resend the emails, they ignored this, and got ruder. I asked them to either resend the promised notifications or refund the fee, and to identify which employee was sending these emails. They then went silent – which says it all. Zero out of 10 – that’s not the way to treat customers and representing £55 very poorly spent on an amateurish setup with its strange mix of well known and poor judges.
Thank you for this amazing lists! It's great to hear with screenplay contests are worth entering and when the deadlines are. No more last minute / too late finds lol
Wow, I was looking for a writing project for the next few months. Awesome! I will get my latest screenplay finished and enter it to the best screenwriting competitions.
What are the best screenwriting contests for short films?
Nicholls and Austin Film Fest are the two top dogs in my opinion. I'm not sure about the other screenwriting contests.
A few years back, I won the Austin Screenwriting Competition. The screenplay I had this huge success with never placed in any other screenplay competition, which goes to show that the whole process is quite subjective and what works well in one script contest, might not get you anywhere in another one.
When pro screenwriters pooh pooh screenwriting contests, I always wonder what they suggest are the alternatives for newbies to standing out in a crazy crowded industry.
Where are the best places to source film, tv, pilot scripts etc for reading? Matt
Hi Mavis, you can read and download 50 of the best screenplays here and the best TV scripts here.
Nicholl, PAGE and Sundance are the three most prestigious contests and definitely worth entering if your script fits the bill. (Dramas and Historical Films do best in Nicholl. PAGE has multiple genre categories.) Everyone always likes Austin because the Festival is such fun and such a good networking opportunity, but that contest now gets something like 10,000 entries each year, so your odds of winning are next to zero. Plus, not sure their contest winners really get much traction. Anyhow, good luck to all in your quest! It's tough to break in as a screenwriter, but it's so rewarding once you do!
I want to share my story ,But I don't know English very well..
And I don't have enough money to pay..
If you help me to pay money , I will return it to you after won this competition..✍️
Thanks for sharing these contests!
There are good screenplay competitions and bad ones. Some give you cash, some give you opportunities or makes doors open and ultimately get your script to screen.
Want a genuine career? Enter the big renowned screenplay competitions and hopefully place high or win. Get that on your writing resume and query letters.
Have one good script and wanna win some cash and throw the hat in the ring? Then go for something that is less reputable where the focus is just money and maybe judges less harsh on their standards.
If you enter every screenwriting competition, you'll be broke pretty quick. So choose wisely.
I was semi-finalist in Stage 32 2017 screenplay competition. Never had a phone call or email from anyone and still have no agent. Smaller and medium studios have all responded positively to query letters and most have said they want the script but the budget is too high. They love it but simply can't do it. Lesson - make sure your first script is a simple, affordable one that appeals to a wide range of studios and producers. Sadly, my script would only appeal to major studios and I have no chance of getting it in front of them as I am a first time writer with no agent.
I have written a fiction fiction novel of 410 pages and ready for publishing as book. I m from India. Writing more than 10 novels as per script of Hollywood style movie. Please tell how I can sale or submit it.
What's your opinion about script pipeline?
Write them polite query letters, describing your script instead of entering screenwriting contests.
I wanna admit that this is very helpful, it's quite hard to know which screenwriting contests are worth my time.
I like screenplay contests because the deadlines pushed me to finish and polish my scripts and the confidence I have gained has helped me network and get scripts read.
I was a semi-finalist in the BlueCat screenwriting contest last year.
I did receive bad feedback the first year I submitted to screenwriting contests. I submitted to 4 and didn’t advance in any of them. But it didn’t send me down. I worked harder, wrote 2 new scripts and submitted again and got into the 2nd round in AFF.
Lovely just what I was searching for. Can't wait to apply for my first screenwriting contest.
I did the Sundance Labs (which is listed here) and it changed my life. I also have a friend who got an agent because a script of his landed in the top 50 of the Nicholl.
Some of these like Nicholl and Sundance are definitely worth a shot, but like everything the gatekeepers’ taste is subjective and you shouldn’t take rejection as a knock against your talent.
I think contests like Nicholl and Austin can do wonders for someone's career but the others... not so sure. Maybe for validation?
What about the PAGE awards contest? thats one of the best screenwriting contests and you left it out.
I've won or placed in a few of these, but honestly I think you'd be remiss to not include TrackingBoard/Launch Pad Pilot Launch on here.That was the one I received the most industry introductions from.
Sounds good, keep the good work. TrackingB is in the honorable mentions.
Thank you. Great list!
I was going to go full time into screenwriting after I retired. I was in the music and comedy industry for 40 years. However, my issue is that I was exposed to Agent Orange when I was in Vietnam in 1969. (thebooksnafu.com) and don't know how much longer I have to live. Would I be wasting my time and money to even make the attempt?
It's never too late, Tom, but we'd be happy to check out your work to give you a better idea.
Hi their my name is Sisay Asefa, I'm a screenwriter. I finished my screenplay, so can you accept my screenplay?
Hi, Sisay, you can find all of our script coverage services here.
I made the top 10 in Zoetrope screenplay contest and it did zero in terms of getting me any exposure. And I mean zero. I'll say the same about Scriptapalooza, even though that's not listed here.
Sorry to hear that. Unfortunately, you generally need to win or place in the top 2 or 3 to get some kind of exposure in most contests.
Can anyone tell me if it makes a difference whether you do early, regular or late deadline for a screenplay contest?
It doesn't make any difference - what matters is the quality of the script. Best of luck!
I have won 8 awards to date for my animated/live action musical The MicroCosmic Cartoon Show. Some are festivals and some are screenwriting competitions. You only mention a few of the good ones to submit to, yet there are more quite reputable ones such as:
Worldfest, Oaxaca, Filmmatic, and Write Movies, to mention others. I think it is a mistake to only go for the top tier. You want to have eyeballs on your work so that you get a sense of how it is being received in the marketplace. I prefer ones that have a variety of sub-categories, since my genre is pretty unusual.
Congrats, Prema!
Tremendous article. I'll lay down my screenwriting contest experience swiftly. I entered a few screenplay competitions over a four year period after finishing my first three scripts with absolutely no luck, not even a placement. I got a job in the industry, but no one took me seriously as a writer, because no wanted to read an accountant or production assistant's script. Why would they? I finally did my research and entered the Nicholl screenplay competition. I made the semi-finals out the gate, then I put it up on the Black List site and received a 9 rating. The script was then selected for their Lab, which was amazing. I was mentored by Brian Koppelman and Billy Ray, who both said it was one of the finest scripts they'd ever read.
The Filmmatic contest I entered last year was professionally run, and I see some solid press going out regarding their finalists/winners (I was a finalist 😉 ).
screenplayawards.org
I also had a good experience with BlueCat...
Congrats, Steph!
Eye opener! It's really hard to know which screenplay contest is a good investment. Thanks for sharing this list
Can I participate in all of these screenplay competitions this year
I think the best screenwriting contests are Nicholl, Scriptapalooza and Sundance. Everything else is a waste of your time and money in my opinion.
Can I do this even if I live in iran
Yes, you can enter from anywhere in the world.
I think the top few contests those you mentioned above are worth taking a shot at and can bring readings and connections and open doors, but they should only be entered once you have developed your craft and written a few screenplays that you would dare to be read by someone in the industry.
You only get one chance to make a first impression, so thanks for sharing the best screenwriting competitions in the industry. I want to make it count.
Good luck, Lorenzo.
If you're a new writer looking for reinforcement that you have any talent for this, take your best work and enter it in on of the top script competitions. Place reasonably well, and then put the knowledge that you don't suck at this in your back pocket and start writing to sell. That's my advice.
Thanks for sharing your advice. It's not a bad strategy!
I will enter Austin, PAGE and Big Break this year. I feel like my script is finally ready!!
Good luck, Alba. Fingers crossed! Let us know how you're getting on.
Can I send my script to a screenwriting contest even if I live in Australia
Yes it doesn't matter where you live.
My co-writer and I won the BlueCat Screenplay Competition for 2018. We used Script Reader Pro and their notes really made a huge difference in the rewrites. Very thankful for having found this website.
That's awesome news, Ismael! - thanks for the review and for using our script coverage services 🙂
I recommend The Second City's Comedy Screenplay Contest for all comedy writers.
Thanks for sharing, Juliane.
Here's my story. 25 years ago I entered my first screenwriting competition and got second runner-up in with no prices. Last year I got into the quarterfinals and second rounders for Scriptapalooza and the Austin Film Festival competition. From that I decided to enter one of those screenplays into a bunch of smaller ones and didn't get placed at all. I realized that I would rather spend my money on script coverage instead and perhaps with those rewrites go back.
I've entered 3 screenplay contests. What do you think will be the next step ? Thanks for your answer.
Have these screenplay contests released the winners yet?